Dramatic Acting: Venetian Blinds Day 3
To reflect the 1940s visually is to not only take discilplines from the use of lighting, but to analyse the acting too and especially...
Filming Day 3: Venetian Blinds Set
Emphasis on silohette lighting for today's shot composition. Today's shot was designed to emphasise the loneliness of the main character...
Filming Day 2: Venetian Blind Set
Theatrical posing: setting up last frame Final positioning.
Into Noir: Venetian Blinds
Behind the scenes of the venetian blinds set-up. A still frame from the 26th of March.
Behind the Scenes update
Behind the scenes of today's close up shot
Film Still: Before and After Colour Grading
A colour grading comparsion from the raw footage and storyboard image.
Animation Update: Behind the Scenes
Setting up Helena for animating. Basic set-up for inside the train carriage.
Lease of life: Costume, Hair and Skin
Emily Pizzey, costume maker, supplied me with her 1940s dress so that I could then go in and pad out her figure slightly with more pieces...
'The Lady in White': Creating the Street Set
Painting the pavement and lamp post. Old gutter is cut and added for bridge/tunnel. Tunnel view of street (reflected perspective of...
Set designing and Character Construction
The first few stages of set construction have begun for the base of the street set and the bedroom set. The set for the dockyard scene...
