'The Lady in White' - First Animatic

Using my storyboards, I was able to trace the drawings in Photoshop and add some basic colour for the rough animatic. The film flows well for the first initial animatic, though there could be room for more at the end; such as having an underwater shot of the main character to end the film on a powerful image, rather than the Lady in white pointing a gun at her husband. There is room for more and quite typically the edit is likely to change as production begins, though I'm certain that once animating commences I'll become inspired to film more. Having this to stick to means I can't get distracted by shots that may come about through enthusiasm when sets are constructed.